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![]() Mapping the Golden Age Blue Beetle Archives
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| Author | Topic: Mapping the Golden Age Blue Beetle Archives |
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Owen Cardiff Darcy Member |
http://futurearchives.tripod.com/beetlega.html IP: Logged |
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dylanfan Member |
Does this have a chance in hell of getting printed? ------------------ IP: Logged |
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Steven Utley Member |
The best thing about the original Blue Beetle, almost the only good thing, really, was the costume. I've always liked the costume. Nothing Victor S. Fox ever published was nearly as interesting as his own checkered career in the funny-book biz. Why someone hasn't written his biography eludes me. I would, however, like to see a collection of the young Jack Kirby's run of the daily BB newspaper strip. IP: Logged |
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Owen Cardiff Darcy Member |
http://bluebeetle.50megs.com/Newspaper.html IP: Logged |
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whoswhoz Member |
quote: Since DC doesn't have the rights? Very Doubtful. I could see a Ditko archive, but I can't see DC going to the expense of trying to locate copies of the Golden Age stuff or even Charlton's 50's issues. IP: Logged |
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Owen Cardiff Darcy Member |
quote: If DC owns the character, why wouldn't it have the rights to his Golden Age stories? IP: Logged |
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Peter Svensson Member |
Because the Golden Age character bears practically no resemblence to the modern character that DC owns. It's like saying that because DC owns Captain Marvel, that they own the rights to that Robot who yells SPLIT! Which reminds me, how much Charlton Blue Beetle stuff was done pre-Ditko? IP: Logged |
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Drumore01 Member |
Okay, hold on to your scarabs, this gets tricky... The Charlton Dan Garrett Blue Beetle (that alone is tricky): BLUE BEETLE 18-21 (Feb 55-Aug 55) BLUE BEETLE 1-5 (June 64-Mar/Apr 65) BLUE BEETLE 50-54 (July 65-Feb/Mar 66) Joe Gill wrote most of these, the last issue by Roy Thomas. (Not counting the 18-21 run) The other 10 issues are 20 pages each, which would make a nice sized single volume. Ted Kord material: Captain Atom 83-86 (Nov-66-June 67) 7 pages each Blue Beetle 1-5 (June 67- Dec 67, with a big lag for #5, Nov 68) If you add to that MYSTERIOUS SUSPENSE #1 (The solo Question issue) you get approx 186 pages. Later material released: CHARLTON BULLSEYE #5 (July-Sept 76) CHARLTON BULLSEYE #1 (June 81) IP: Logged |
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Dr. Van Thorp Member |
quote: Charlton's Blue Beetls in the 50's was mostly Fox Comics reprints, and when they brought him back, in the 60's, he was still named Dan Garrett, but the powers and origins were so different that they should be considered different characters. IP: Logged |
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Owen Cardiff Darcy Member |
quote: DC could have sued the publishers of the "SPLIT" Captain Marvel for copyright infringement if it had been worth the trouble. Anyway, I had thought that Fox sold Blue Beetle to Charlton, who later sold the character to DC, which means DC would own the Blue Beetle in ALL his incarnations. The DC Captain Atom from the late '80s is different from Steve Ditko's character from the '60s, but for copyright purposes, they're both the same character. IP: Logged |
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Amentep Member |
quote: At the time DC didn't own Captain Marvel, and as the M. F. Enterprises character predates Marvel's Captain Marvel by two years they couldn't have sued either. Fawcett could have sued but as they weren't in the comics biz anylonger and didn't seem to have an interest in comics at all any longer, they didn't... I only bring this up because it might be importan in regards to Fox Publishing
quote: I'm not exactly sure that its ever been particularly clear what rights transfered to Charlton. I'd think - like you - that Charlton reprinting and then starting a new Blue Beetle character certainly makes it seem like they have full rights to BB. But I also know that they licensed a lot of characters [including publishing an Ibis the Invincible story] and its entirely possible that they only licensed Blue Beetle and then somewhere after that essentially took over the rights to the character if whatever was left of Fox Publishing couldn't manage a law suit or didn't care about one a la Fawcett and the 60s Captain Marvels. IP: Logged |
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Owen Cardiff Darcy Member |
quote: Okay then, Fawcett should have sued. Whoever owned Captain Marvel at the time had a copyright infringement case, if they had chosen to pursue it.
quote: What matters is that Charlton somehow acquired ownership Blue Beetle, whom they later sold to DC, which means DC now owns Blue Beetle. IP: Logged |
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Amentep Member |
quote: I do agree with you that DC should have the rights since Charlton seems to have defacto claimed them from Fox, although IIRC this along with Phantom Lady was a bone of contention between DC and AC comics; I think they argued that both characters should be considered public domain characters. IP: Logged |
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NecessaryImpurity Member |
The difference between "copyright" and "trademark" is what is at work here. The "SPLIT!" Captain Marvel and the Marvel Captain Marvel are examples of trademark law, not copyright law. Trademarks must maintain a certain amount of activity, or they lapse. Fawcett failed to maintain the Captain Marvel trademark after 1953, and it bacame available for anyone to use. Indeed, Marvel jumped on it and registered it for their use, which is why why everything DC publishes has "Shazam!" on it. Marvel now owns the trademark. A copyright is much more protective, and doesn't need anything like activity to keep it current. Thus, these companies that picked up the Captain Marvel trademark couldn't reprint old Cap stories, since Fawcett still owned the copyright. They could have published new Cap stories, but since Fawcett had spent so many years in court with DC, it was just inviting themselves to a lawsuit, for infingining on the Superman copyright! Legally, though, with the lapsed trademark, they could have produced such stories, with Billy, Cp, Shazam, and all the rest, without regard to Fawcett's interest. What DC bought from Fawcett was the inventory of old Cap stories, and any claim to the characters. Regarding Blue Beetle, Charlton may have only had the trademark transferred from Fox, without any permanent transfer of copyrights. So they could produce new material, but only limited reprints of the old material. Or, they failed to renew the copyrights on the old material, and much of entered the public domain. IIRC, the old copyright term was 28 years, with another 28 year renewal. So Blue Beetle stories would start entering the public domain around 1967. The law wasn't revised until 1976 or 1977, so the first 9 or 10 years of the Fox Blue Beetle could be in the public domain. Effectively, all DC would have gotten from Charleton was the trademark and the 1960s/1970s stories. IP: Logged |
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Owen Cardiff Darcy Member |
If the Golden Age Blue Beetle stories are in the public domain, that means DC would have the right to reprint them -- and so would anyone else, although I suspect that anyone else who published comics starring a character called Blue Beetle would hear from DC's lawyers. IP: Logged |
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Dr. Van Thorp Member |
I have several Fox Blue Beetle comics, and I have to say that most of these stories could not be sold in $50 hard-bound editions. They might be worthwhile in cheaply produced black and white, phone-book format, and some of the best stories might make a good "Greatest Stories" book. IP: Logged |
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Steven Utley Member |
I dunno, Doc ... the whole idea of a Best of Fox Comics seems oxymoronic .... Not that I wouldn't snatch up any decently produced collection of Fox comics, which at times (as in ROCKET KELLY) approached the dizzying level of hilarity attained among filmmakers by Ed Woods .... IP: Logged |
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Bgztl Member |
Boy I'd love to see the first two volumes especially. IP: Logged |
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